The Material Kinship Reader proposes to think kin beyond bloodlines and material beyond extraction. The event will include an introduction by the editors, Kris Dittel and Clementine Edwards, followed by a talk by Joannie Baumgärtner. The talk, based on their text ‘Family Value: Towards a Kinship Beyond the Forms of Capital’ will outline some ideas on the way the nuclear family structure produces kinship through the capital form.
About The Material Kinship Reader
What does it mean to acknowledge one’s closeness to, enmeshment in or even kinship with the material world? And what does it mean to question family structures – the way they organise, coerce and make deviant certain lifeforms – and dwell in other possibilities of kin-making? Not just a jolly rethinking of objects or a polyamorous romp through relationships, The Material Kinship Reader reckons with the extractivist histories of materials and the social relations that frame much of contemporary life.
Spanning fiction and theory, the collection of texts expand the idea of an artist’s book by bringing words into conversation with an aesthetic proposition. Clementine Edwards’ artwork is the visual weft to the book’s written net. From colonial conquest to climate collapse, The Material Kinship Reader tells toxic and tender stories of interdependence among all things sentient and insentient.
The book includes texts by Sara Ahmed, Hana Pera Aoake, Roland Barthes, Joannie Baumgärtner, Heather Davis, Kris Dittel, Clementine Edwards, Ama Josephine B. Johnstone, Robin Wall Kimmerer, Ursula K. Le Guin, Sophie Lewis, Steven Millhauser, Jena Myung, Aileen Moreton-Robinson, Michelle Murphy, Ada M. Patterson, Kim TallBear, Michelle Tea
Clementine Edwards is a Rotterdam-based artist from Naarm/Melbourne working across sculpture, film, performance, writing and jewellery. Her practice is guided by the ongoing research line material kinship, which thinks material beyond extraction and kinship beyond the nuclear family.
Joannie Baumgärtner is an artist whose practice focuses on cultural history, mythology and the belief systems that shape the present. Their work combines media-based processes with installation, performance, creative writing and critical scholarship.
The event is part of Temporary Gallery’s study group Forms of Kinship. The series of gatherings aims to think collectively about the way we form relations in and with the world, outside of the nuclear family structure. The meetings take place monthly, online. Each session is led by an invited guest, including artists, thinkers, poets, activists and others. The study group is convened by Aneta Rostkowska (CCA Temporary Gallery) and Kris Dittel (independent curator, Mediakunst fellow NRW).
Funding and support
Temporary Gallery receives structural funding by the Cultural Office of the City of Cologne and Deltax contemporary, Wirtschafts- und Steuerberatungsgesellschaft mbH.
The event is part of a larger endeavor called "Islands of Kinship: A Collective Manual for Sustainable and Inclusive Art Institutions”, in which CCA Temporary Gallery works with six international partner institutions: Jindrich Chalupecky Society (Prague), Latvian Center for Contemporary Art (Riga), Frame Contemporary Art Finland (Helsinki), Julius Koller Society (Bratislava), Faculty of things that can't be learned (Skopje) and Stroom den Haag (The Hague). Islands of Kinship is co-funded by the EU Program Creative Europe.