TOWARDS PERMA-CULTURAL INSTITUTIONS:
EXERCISES IN COLLECTIVE THINKING
Stiftung Künstlerdorf Schöppingen
July 11–18, 2022

See the documentation of the summer seminar with lectures and contributions on our YouTube channel.

A summer seminar curated by Aneta Rostkowska, Nada Rosa Schroer and Julia Haarmann.

In recent years there has been a proliferation of art exhibitions on plants and ecology accompanied by a fascination with indigenous thinking and various forms of collective work in art institutions. At the same time, there has been a growing disillusionment with the art world itself: For example, in its lack of solidarity, exploitative working conditions, short-term funding paired with shrinking structural support, a superficial understanding of diversity, strong hierarchical structures at art institutions, compulsive self-branding or the cult of mobility and flexibility. The art system perfectly mimics the neoliberal economy that we all live in. Our disappointment, however, often does not translate into concrete actions — “neoliberal art realism” (a term inspired by Mark Fisher’s “capitalist realism”) permeates everything as the sense that the status quo of the art world is the only viable one and it is impossible to imagine an alternative to it.

On the other hand, the intensifying climate change makes it clear that the economy and society cannot continue in the same way as they used to. The ecological catastrophe that we are now facing triggers a strong impulse and need for change. In response, this seminar will use ecological thinking to reflect differently about the workings of the art world, and especially in different types of art institutions. We will bring in the teachings of plants and permaculture that has mostly functioned as exhibition content into the structures of our work, in order to inform our curatorial practices. How can the ethics of permaculture (earthcare, peoplecare and fairshare) inspire a lasting transformation of art institutions beyond the superficial application of ecological guidelines? Can the regenerative aspect of permacultural thinking be transformed into a regenerative philosophy of an art institution? Could this thinking translate to sustainable community-based practices focused on emancipatory forms of working together and collective care for ecological and social commons?

What can we learn from indigenous practices and the functioning of art in indigenous contexts without appropriating or romanticizing it? Modernism constructed an abstract separation of “nature” and “culture” and brought with itself colonization processes fuelled by racist ideologies and the needs of capitalism. Now we must ask: How can we collectively enter the next step? Can we negate modernism and its constantly reappearing “ghosts” and in a synthetic, all-encompassing move arrive at the next level with new, sustainable concepts and practices? The goal of the gathering is to create a network – a mycellium – of perma-cultural practitioners and art institutions interested in putting the ecological reflection in the art sector on another, deeper level that leads to new models of instituting.

Participants: Art Residency Research Collective (Pau Catà/ Morag Iles/ Miriam La Rosa/ Patricia Healy McMeans/ Angela Serino), Giulia Bellinetti, Felipe Castelblanco, Viviana Checchia, Culture for Climate (Ewa Chomicka/ Anna Czaban), Madeleine Collie, Clelia Coussonnet, Alfred Decker, T. J. Demos, Marianna Dobkowska, Maja Fowkes & Reuben Fowkes, Yoeri Guépin, Judit Hoffkamp, Michael Marder, Riya Matthew, Lola Malavasi Lachner, Anna Melnykova, Paloma Nana, Sunná Nousuniemi, Åsa Sonjasdotter, Sour Grass (Annalee Davis/ Holly Bynoe), Ela Spalding, Stéphane Verlet Bottéro. Community cooking by Paula Erstmann.